Tag Archives: Modern Fiction

remember my best sellers challenge? et al.

Remember that thing I said? That I was going to pick up my best sellers reading challenge from 2016? I really did enjoy diving into The Horse Whisperer and getting transported back to the 90s while watching the visually beautiful film adaptation. It was one of those books that makes you almost *enjoy* your anger while you’re reading it. So yeah, maybe I’ll make an empty promise to go back to this list again.

I still have my copy of The Da Vinci Code by Dan Brown and his prose is mainly what stopped me from reading the rest of it. His writing is so bad for so many reasons… but hey, I have no excuse not to finish it now. And, in case you can’t tell, I love books with film adaptations. I love seeing changes/differences and understanding why the writers made the changes they made.

I’ve been watching one of the Great Courses on screenwriting with all my downtime and I’m getting a lot from it, except one major point with which I disagreed mid-course. Prof. Angus Fletcher recommends writing an adaptation as a “warm-up” exercise to eventually writing an original story of your own. Having done both, I can say an original script felt FAR simpler than an adaptation. You’re not attempting to meld a story from one medium into another when you’re writing an original piece. Can’t say it wouldn’t be a great challenge though for someone interested.

We’re so quick to criticize books > film as an audience I don’t think we tend to appreciate the MASSIVE challenge screenwriters/directors face in the process. Having recently watched the 2020 Emma., and being about as unimpressed as I thought I would be (not with the visuals – those were super fun), I keep going back to my favorite 2009 BBC adaptation with Romola Garai in the title role.

Honestly, it’s probably THE only adaptation where they get Harriett’s character right…

It’s 4 hours compared to 2 which should be noted, but Sandy Welch does an excellent job with every series for which I have seen her adapt a story for the screen.

Bringing it back, I’ll probably go back to The Da Vinci code and watch the movie just to see what Tom Hanks was so excited about. Although reading the book… I think Dan Brown was imagining more of a Chris Hemsworth type than a Tom Hanks for his protagonist.

We all have dreams, don’t we, Dan Brown?

more horse talk

The second half of The Horse Whisperer certainly lost its momentum. It’s one of those books that’s easy to read (I got through it in just under a week), but I’ve been putting off this review because I didn’t like it. So, not sure if I was really aching to write this post. The prose of the book isn’t even bad! Aside from some awkward sex scenes, but then, I don’t even read romance novels so I may not be an authority on what makes a GOOD sex scene.

I will say this, I enjoyed the movie far more. This was one of those rare instances where the movie was definitely better than the book. Fight me, this film came out in 1998. Where the movie succeeded and the book didn’t, to me, was making the focus not Annie, but Annie and Grace’s relationship. There’s an equal weight to both of their arc’s. Come to think of it, I don’t even think Annie has an arc in the book. She starts out a selfish, controlling woman who continues to be selfish and controlling up until the end, cheats on her husband and gets pregnant by the man she “truly loves.”

Everything is all well and good in her world when all you want is for her to nose-dive off a cliff.

The only sad part is when Tom is trampled by a herd of wild mustang (actually super random and kinda funny) and dies. Really, he should be thankful, he would have had to spend the rest of his life with one helluva woman.

The film keeps Tom alive at the end and has Annie “doing the right thing” and going back to her family. Sure, the story doesn’t have to end on a moral high note, but I think it felt like a more natural ending to this saga, otherwise, what was that all for? Going back to my Gone With the Wind analogy, it’s not like at the conclusion of that story where Rhett’s walking away, and you get it, but there’s a small part of you thinking: “But they should be together! I don’t know why because she’s terrible, but they should! ”

Nicholas Evans, I am way late to this gravy train, but this book was not the business.